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Compás

Palmas: Cómo Hacer Palmas Sin Romper Nada

A beginner's guide to the most important percussion in flamenco

Hand clapping is not optional in flamenco — it is the rhythm. Two types, three roles, and an unwritten rule about when to keep your mouth shut. The one skill every flamenco beginner gets wrong before getting right.

#palmas #baile

By Lola Vega

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Palos

Tangos & Tientos: La Familia del 4 por 4

Flamenco's answer to the 4-beat

Not every flamenco palo lives in twelves. The tangos family — tangos flamencos, tientos, tanguillos, zambra — is firmly in 4/4, and arguably the most internationally accessible corner of the form.

#baile #sevilla #cante

By Carmen Ríos

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Compás

The 12-Beat Compás Explained

Why flamenco rhythm sounds the way it does

Flamenco is built on three rhythmic families: simple binary, simple ternary, and a 12-beat cycle that exists almost nowhere else in Western music. Here is how it works, and why beat one isn't always where you think it is.

#12-beat #palmas #baile #guitarra

By Diego Morales

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Palos

Alegrías: El Sol de Cádiz

The festive cantiña of the Atlantic coast

The same 12-beat structure as soleá, the same accent pattern — but in major key, brighter, and full of references to the Virgen del Pilar and the Ebro river. The reason: alegrías comes from a war.

#cádiz #12-beat #baile

By Carmen Ríos

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Palos

Soleá: La Madre del Cante

The mother of all flamenco singing

If flamenco has a foundational palo, it is the soleá — slow, dignified, twelve beats counted from one, and the structural template from which alegrías, bulerías and the cantiñas family all eventually grew.

#gitano #jondo #12-beat #sevilla #baile #cante

By Lola Vega

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Palos

Bulerías: El Corazón de Jerez

The fastest, freest palo in flamenco

Twelve beats, accents on three, six, eight, ten and twelve — bulerías is the rhythm flamenco gatherings always end with, and the one that demands the most from every participant.

#gitano #jerez #12-beat #baile

By Lola Vega

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